Architectural Silhouettes Play With Perspective in Patrick Akpojotor’s Fragmented Portraits — Colossal
2 min read
Artwork
#structure
#artwork historical past
#cubism
#portray
#Patrick Akpojotor
#portraits
February 21, 2023
Kate Mothes
“The Gaze” (2021), acrylic on canvas, 48 x 36 inches. All photographs © Patrick Akpojotor, shared with permission
Combining a love for African masks and the folks and buildings of his hometown of Lagos, Nigeria, Patrick Akpojotor (previously) merges the figurative particulars of faces, shoulders, and arms with the geometric types of hallways, doorways, and staircases. “My floor turns into a playground the place types, colors, perspective, and area involves play and work together,” he says in a statement. “Using geometry and architectural parts spotlight the affect of the constructed atmosphere in shaping our reminiscences, experiences, and identities on the earth.”
Akpojotor attracts on the artwork historic legacies of Cubist painters who devised a approach of breaking apart the image airplane into “cubes” or fragments to indicate a number of sides of an object or determine on the similar time. His compositions make the most of skewed views, distinction, and colour to discover the dynamic relationship between inner and exterior human experiences, paralleling the interiors and exteriors of architectural areas and the transformative methods we transfer between them. He has just lately experimented with sculpture, producing metal types of abstracted arches and steps.
Akpojotor is at the moment making ready work for a solo exhibition at Allouche Gallery in September. Discover extra of his work on his website and Instagram.
“Oga boss” (2020), acrylic on canvas, 48 x 36 inches
Left: “Gaze to The Stunning Daylight (i)” (2022), acrylic on canvas, 195.5 x 152.5 centimeters. Proper: “Terracotta wall” (2022), Autobase coated metal, 51 x2 3.5 x 19 centimeters
“Inside Time and Area in Historical past (ii)” (2022), acrylic on canvas, 195.5 x 152.5 centimeters
“GIRL WITH RED RIBBON V (Reproduced)” (2022)
Left: “Assembly Level” (2022), Autobase coated metal, 40 x 46 x 25 centimeters. Proper: “Step to The Infinite (iii)” (2022), acrylic on canvas, 122 x 91 centimeters
“Man of Affect III” (2022), acrylic on canvas, 77 x 60 inches
“Witness to the Occasions II” (2021), acrylic on canvas, 122 x 91.5 centimeters
#structure
#artwork historical past
#cubism
#portray
#Patrick Akpojotor
#portraits
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